Album Review: Against All Logic: 2017 – 2019

The latest in a series of albums with the most satisfyingly unambiguous titles in music, 2017-2019 is the second LP under the Against All Logic moniker of New York producer Nicolas Jaar. The first, 2012-2017, was taken perhaps too seriously. Jaar, a purveyor of intricate and conceptual IDM, clarified that each song was produced in only 45 minutes and so its reception may have taken him by surprise. After all, he had just released a trilogy of meticulous records which covered ground as wide as soundtrack and autobiography and so his AAL collection – which he didn’t even advertise – was perhaps meant as a footnote for diehard fans. An enigmatic talent, Jaar is used to doing the surprising, and that is perhaps an explanation for the music we have here. With an awareness that the world is watching, Against All Logic now means something entirely different. Continue reading “Album Review: Against All Logic: 2017 – 2019”

The Sorry Scholar’s Best Tracks of January 2020

We are happy to introduce The Sorry Scholar‘s Best Tracks of the Month playlists! And what a place to begin: January was a remarkable start to the new decade featuring gorgeous pop from Rina Sawayama and Westerman, new rap classics from Roddy Rich and Max Miller, rich soul from Jeff Parker and The Milk and driving techno from Squarepusher and Nicolas Jaar. Find the Apple Music and Spotify playlists below: 

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Continue reading “The Sorry Scholar’s Best Tracks of January 2020”

Our Favourite Albums Of 2019

This final End of Year list of the decade reads like a microcosm of the chaos of the nine years which went before it. Here there are pop albums made by underground musicians who can’t have expected anyone near a chart to hear them, R&B records made by rappers, pop records by rock bands and a million experiments in sound: from an album made of the sampled sounds of pieces of plastic to bluegrass revival. We are now in a place where it doesn’t seem absurd to place bandcamp sweethearts next to house DJs and chart-topping millionaires because we all listen to music on platforms which have them just a click apart anyway. 

We leave the decade with new icons whose names are scattered throughout this list: musicians like Blood Orange, Tyler The Creator, FKA Twigs, Danny Brown and Charli XCX who we simply hadn’t heard of ten years ago, and the behind-the-scenes revolutionaries like the producers of PC-Music who started the decade pastiching commercial music from their bedrooms and ended it writing the genuine commercial hits of today, reshaping the sound of chart music for the better. We also leave this year with new stars, from Billie Eilish to Little Simz and Floating Points, who we may well be speaking of in the same terms in ten years time. We celebrated the 80th anniversary of Blue Note records (which the header of this year’s list pays tribute to) while passed icons Miles Davis, Prince, Leonard Cohen and Arthur Russell had works unearthed which added to the depth of their legacies. We lost a few heroes too: João Gilberto, Scott Walker, David Berman, Kieth Flint and Bushwick Bill being just a few names among many. Many of the narratives which have emerged around music journalism are represented here, from the burgeoning London jazz scene, the reggaeton revolution and the grime takeover, but some of the most telling stories are not: the unstoppable ‘Old Town Road’ for example was a history maker specifically because it has nothing to do with albums. Most of all though, music is a perpetual provider of hope – giving voice to the forgotten, allowing the ideas of the future to be taken for a spin, providing resilience in the face of tyrannical forces, or simply daily reassurance from songwriters who capture the essence of what’s means to be alive and – in clubs, gigs and living rooms – make the living fun.

This list was compiled by a music fan with nothing better to do, based only the albums I managed to hear this year, featuring bias and ignorance of critical consensus. It is instead based solely on the music which impacted us, and which we enjoyed and listened to the most. From top to bottom, we consider all of these albums to be produced by incredibly talented individuals whose music this year will provide pleasure and inspiration for many more to come.

100. Plastic Anniversary – Matmos

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99. Flamboyant – Dorian Electra

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98. Odds Against Tomorrow – Bill Orcutt

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97. GINGER – Brockhampton

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Continue reading “Our Favourite Albums Of 2019”

Sorry Scholar’s 100 Favourite Albums Of The Decade

Our hundred favourite albums released between January 1st 2010 and today: 

100. DIRTY PROJECTORS – LAMP LIT PROSE (2017)

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99. WE GOT IT FROM HERE… THANK YOU 4 YOUR SERVICE – A TRIBE CALLED QUEST (2016)

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98. SHAKING THE HABITUAL – THE KNIFE (2013)

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97. SOUND & COLOUR – ALABAMA SHAKES (2015)

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Continue reading “Sorry Scholar’s 100 Favourite Albums Of The Decade”

The ‘New’ Iranian Stand-Off Is Just Business As Usual for the USA

In recent months, news coverage has again become dominated with reports from Iran, with President Trump and his counter-part President Hassan Rouhani stuck in a now-familiar war of words in response to Trump escalating sanctions against the beleaguered Gulf nation, with Rouhani recently calling the Trump “mentally retarded”. Retarded… maybe not. Simple? Most definitely. Yet the US administration’s latest escalations with Iran are not the birth of a new conflict but exhaustively predictable behaviour from a nation which has been behaving this way for decades, even when it was ruled by much sharper minds than Donald J. Trump.

It is notable that Iran can take credit for being one of the few prizes for aspiring rulers of any international hegemony which has resisted subservience to America, the dominant world power. The country has become economically crippled and a fundamentalist, autocratic Islamic theocracy along the way. The Republican administration of 2019 has not radically hardened America’s response to their resistance: Democratic and Republican administrations alike have pursued the same neo-realist approach which requires rebellious, resource-rich and strategically important states such as Iran to be brought in line or duly punished. Continue reading “The ‘New’ Iranian Stand-Off Is Just Business As Usual for the USA”