The 100 Best Albums of 2020

2020 has been one hell of a year. This statement is true in many ways, but one of the only possible senses in which it is a positive is when it comes to describing the music of this surreal time, which has been sublime. A decade-long process of liberation and cross-pollination means we begin this new decade in a culture where the most commercial of releases, with millions in their budgets, sit right alongside the most niche underground debuts. They’re all right there for the taking taking: on Apple Music, on Spotify, on YouTube, on BandCamp. These services cue up a Tkay Maidza song right after an Ariana Grande smash; one is worth millions, one doesn’t even have a label, but it doesn’t matter.

The biggest popstars on the planet are also increasingly influenced by the innovations of the digital underground, and often boast fascinating collaborations. The Weeknd’s new album features IDM darling and vaporwave pioneer Oneohtrix Point Never, and then Abel features on his! The Weeknd, on a Oneohtrix Point Never album. This year is strange indeed.

This melding of the underground and the mainstream has meant that the watermark keeps rising higher and higher, with alternative music continuing to innovate at the fringes, while pop stars no longer feel confined to one set rulebook to obtain their necessary chart success. As a result, there has been an unprecedented amount of fantastic music this year, just when we needed it the most. The ranked below is arbitrary, there has been enough great music that even the alums on the back-end of this list are thoroughly worth you time. In the 50th slot is harpist Mary Lattimore’s latest album, which is a fantastic record. Hell, just below these words at 100. is the Meridian Brothers’ Cumbia Siglo XXI, and that album slaps.

In the pandemic age, the liberating effect of the internet has brought us albums which wouldn’t have existed without it. Charli XCX made an entire record in lockdown, and the Gorillaz endlessly entertaining Song Machine kept on cranking new tunes made via Zoom. Even more traditional, statelier LPs were altered by the pandemic: Robin Pecknold began 2020 with the Fleet Foxes’ 4th album stuck in arrested development, but a suddenly-empty summer meant that we were able to hear Shore on the Autumn equinox this year. Ambient and instrumental jazz albums have been a calming ointment throughout, while world-weary records like Childish Gambino’s 4th album were suddenly made to appear outrageously prophetic. Online live-shows like Nick Cave’s Alexandra Place performance – sat alone in the emptied chamber at a grand piano – showed not only the resilience of music in these unprecedented times (TM) but also their ability to connect emotionally in spit of the digital realm.

Little of this translates to wealth however. With the live shows which keep the music industry alive justifiably halted, small venues fear closure and musicians from Kanye West to Taylor Swift have openly begun to tear at the structures of power which mean only some of their money is made from the actual music they make. With utilitarian arguments abound, and conservative governments in power internationally, we have seen the UK government openly question the value of artists at all, suggesting that in these dire economic times they may simply have to quit and retrain. The 100 albums which follow, from this year alone, tell a different story. By being one of the years’ sole sources of joy and inspiration, they show that music is thoroughly, and irrefutably, invaluable.

This list was compiled by music fans based only the albums they heard this year. It is instead based solely on the music which impacted us, and which we enjoyed and listened to the most. From top to bottom, we consider all of these albums to be produced by incredibly talented individuals whose music will provide pleasure and inspiration for many more years to come.

100. Cumbia Siglo XXI – Meridian Brothers

a1715394194_10-1

99. Shoot For The Stars, Aim For The Moon – Pop Smoke

pop-smoke-shoot-for-the-stars-aim-for-the-moon

98. West of Eden – HMLTD

a4007437190_10

97. The Mother Stone – Caleb Landry Jones

71UYuzXoDcL._AC_SL1200_ Continue reading “The 100 Best Albums of 2020”

Our Favourite Albums Of 2019

This final End of Year list of the decade reads like a microcosm of the chaos of the nine years which went before it. Here there are pop albums made by underground musicians who can’t have expected anyone near a chart to hear them, R&B records made by rappers, pop records by rock bands and a million experiments in sound: from an album made of the sampled sounds of pieces of plastic to bluegrass revival. We are now in a place where it doesn’t seem absurd to place bandcamp sweethearts next to house DJs and chart-topping millionaires because we all listen to music on platforms which have them just a click apart anyway. 

We leave the decade with new icons whose names are scattered throughout this list: musicians like Blood Orange, Tyler The Creator, FKA Twigs, Danny Brown and Charli XCX who we simply hadn’t heard of ten years ago, and the behind-the-scenes revolutionaries like the producers of PC-Music who started the decade pastiching commercial music from their bedrooms and ended it writing the genuine commercial hits of today, reshaping the sound of chart music for the better. We also leave this year with new stars, from Billie Eilish to Little Simz and Floating Points, who we may well be speaking of in the same terms in ten years time. We celebrated the 80th anniversary of Blue Note records (which the header of this year’s list pays tribute to) while passed icons Miles Davis, Prince, Leonard Cohen and Arthur Russell had works unearthed which added to the depth of their legacies. We lost a few heroes too: João Gilberto, Scott Walker, David Berman, Kieth Flint and Bushwick Bill being just a few names among many. Many of the narratives which have emerged around music journalism are represented here, from the burgeoning London jazz scene, the reggaeton revolution and the grime takeover, but some of the most telling stories are not: the unstoppable ‘Old Town Road’ for example was a history maker specifically because it has nothing to do with albums. Most of all though, music is a perpetual provider of hope – giving voice to the forgotten, allowing the ideas of the future to be taken for a spin, providing resilience in the face of tyrannical forces, or simply daily reassurance from songwriters who capture the essence of what’s means to be alive and – in clubs, gigs and living rooms – make the living fun.

This list was compiled by a music fan with nothing better to do, based only the albums I managed to hear this year, featuring bias and ignorance of critical consensus. It is instead based solely on the music which impacted us, and which we enjoyed and listened to the most. From top to bottom, we consider all of these albums to be produced by incredibly talented individuals whose music this year will provide pleasure and inspiration for many more to come.

100. Plastic Anniversary – Matmos

Image result for Plastic Anniversary - Matmos

99. Flamboyant – Dorian Electra

Image result for Flamboyant - Dorian Electra

98. Odds Against Tomorrow – Bill Orcutt

Image result for Odds Against Tomorrow – Bill Orcutt

97. GINGER – Brockhampton

Image result for ginger brockhampton

Continue reading “Our Favourite Albums Of 2019”