‘Counterculture’ may be a term only coined in the sixties, but its reach stretches back into the movement of 18th century Romanticism, and its foundation in the poetry of William Wordsworth. In truth, it’s always been about the poetry. From the writing of Bob Dylan in the folk revival of the sixties, flanked by the likes of Allen Ginsberg and Jack Kerouac, to Patti Smith; laying down the groundwork of punk in the 1970’s. A lack of poetry then is perhaps to blame for the lack of an emergent counter-culture in recent decades; although it may be the most lyrical of musical mediums, rap music, which seeks to lay the path for a future resurgence.
The point of a counter-culture is that exists on the fringes. When it becomes populist then naturally it becomes a culture to be countered: such is the ebb and flow of the music industry over the past sixty years. The beat generation was the first counter-culture to boast popular music as one of its facets, and the first to emerge since the Bohemian movement of mid-19th century Europe. Encompassing the likes of painter Jackson Pollock, author William S. Burroughs and poet Allen Ginsberg, the scene emerged in response to the clean-cut and wholesome, but tepid state of being eminent in post-war America, and folk-revivalism in the heart of Greenwich Village was an essential aspect of the movement. Continue reading “The Birth (and Death) of the Popular Music Counterculture”